there, do not think that any creatures eye 109, the fifth and most beautiful lightSolomon, whose Song of Songs was considered a wedding hymn of the Church and God. 74e per sonare un poco in questi versi, can find its way as clearly as her sight. https://www.nytimes.com/2007/11/11/books/review/Longenbach-t.html, Illustration by Gustave Dor; Photograph from Bettmann/Corbis. Is gathered all in this, and out of it 65cos al vento ne le foglie levi are unsurpassed. 40Li occhi da Dio diletti e venerati, Were the soothsayings of the Sibyl lost. More than I do for his, all of my prayers Not because more than one unmingled semblance We now move into the present tense, as the poet takes the stage, telling us that thenceforward his vision was greater than his speech can express, since his memory yields before such a going-beyond, before such transgression: tanto oltraggio (57). To fix my sight upon the Light Eternal, a hundred thousand dangers to the west, 86legato con amore in un volume, And this, to what I saw. 741 (World's Classics). Robert Pinsky's is obviously the best poetic translation . Paradiso by Dante: 9781400031153 - PenguinRandomhouse.com The disjunctive syntax manages both to communicate an event and to conflate all narrativity into a textual approximation of the igualmente the equality, the homology, the silence to which we hasten: Another jump occurs as the poet speaks of his poetic failure one last time A lalta fantasia qui manc possa (Here force failed my high fantasy [142]) and still another as he records a final event with a final time-defying adversative. Dantes recollection is affective, not intellective. Of my conceit, and this to what I saw Fastened upon the speaker, showed to us Then I took his full-term course on the entire Commedia, again with Sinclair. Considered Italy's greatest poet, this scion of a Florentine family mastered the art of lyric . The effect of gazing on that light is to make impossible any dis-conversion, any consenting to turn from it toward another sight: che volgersi da lei per altro aspetto / impossibil che mai si consenta (it would be impossible for him to set that Light aside for other sight [101-02]). 82Oh abbondante grazia ond io presunsi 134per misurar lo cerchio, e non ritrova, Kenner quotes from the same passage you compared. that Light, what there is perfect is defective. What choice will Dante make to complete this extraordinary analogy? (I dont actually know much Italian, but I do have a dictionary and 15 different translations of the passage in question.) Of the High Light which of itself is true. And make my tongue of so great puissance, As you point out, any attempt at terza rima in English is doomed by lack of rhymes. 110fosse nel vivo lume chio mirava, Making the terzina even more impossible to hold onto is the fact that its main action is forgetting: active, continual, endlessly accreted forgetting. From that time forward what I saw was greater 77del vivo raggio, chi sarei smarrito, Im late to the party, but heres the same passage from my own translation in terza rima (just published this month): O brothers, I said, who have come through still [14] Many more translations of individual lines or cantos[ii] exist,[15] but these are too numerous for the scope of this list. experience (Ciardi, Lombardo) 3, do not deny yourselves the chance to know (Hollander) 1, Do not deny your will to win experience (Kirkpatrick) 2, be ye unwilling to deny, the experience (Longfellow) 3, you must not deny experience (Mandelbaum) 2, do not deny yourself experience (Musa) 2, you should not choose to deny it the experience (Pinsky) 2, do not be content to deny yourselves experience (Simone) 2, choose not to deny experience (Sinclair) 3, wish not to deny the experience (Singleton) 3, following the sun (Hollander, Longfellow, Singleton) 2, that lies beyond the setting sun (Lombardo) 0, of that which lies beyond the sun (Mandelbaum) 3, of what there is beyond, behind the sun (Musa) 2, following the track of Phoebus (Nicholls) 1, behind the sun leading us onward (Pinsky) 0, Follow the sun into the west (Simone) 0, following the course of the sun (Sission) 1, the world where no one dwells (Esolen) 2, the land where no one lives (Hollander) 2, of worlds where no man dwells (Kirkpatrick) 2, of the unpeopled world (Lombardo, Nicholls, Sinclair) 3, of the world that hath no people (Longfellow) 3, and of the world that is unpeopled (Mandelbaum) 3, in the world they call unpeopled (Musa) 0, of the world which has no people in it (Pinsky) 3, of the world that has no people (Singleton) 3, of that world which has no inhabitants (Sisson) 2, Think well upon your nation and your seed (Esolen) 1, Consider how your souls were sown (Hollander) 1, Hold clear in thought your seed and origin (Kirkpatrick) 1, Consider the seed from which you were born (Lombardo) 2, Consider well the seed that gave you birth (Mandelbaum) 2, Consider what you came from: you are Greeks (Musa) 0, Call to mind from whence we sprang (Nicholls) 2, Consider your seed and heritage (Simone) 1, Take thought of the seed from which you spring (Sinclair) 2, Consider then the race from which you have sprung (Sisson) 1, what you were made for: not to live like brutes (Carson) 2, You were not born to live like brutes (Ciardi) 2, For you were never made to live like brutes (Esolen) 2, you were not made to live like brutes or beasts (Hollander) 2, You were not made to live as mindless brutes (Kirkpatrick) 2, You were not made to live like brute animals (Lombardo) 2, ye were not made to live as brutes (Longfellow, Singleton) 3, you were not made to live your lives as brutes (Mandelbaum) 2, You were not born to live like mindless brutes (Musa) 2, Ye were not formd to live the life of brutes (Nicholls) 2, You were not born to live as a mere brute does (Pinsky) 2, you were not made to live like brutes (Simone) 3, You were not born to live as brutes (Sinclair) 2, You were not made to live like animals (Sisson) 3, but for the quest of knowledge and the good (Carson) 1, but to press on toward manhood and recognition (Ciardi) 0, but to pursue the good in mind and deed (Esolen) 0, but to pursue virtue and knowledge (Hollander, Singleton) 3, but go in search of virtue and true knowledge (Kirkpatrick) 3, but to live in pursuit of virtue and knowledge (Lombardo) 2, but for pursuit of virtue and of knowledge (Longfellow) 3, but to be followers of worth and knowledge (Mandelbaum) 2, but to follow paths of excellence and knowledge (Musa) 1, but virtue to pursue and knowledge high (Nicholls) 1, but for the pursuit of knowledge and the good (Pinsky) 2, but to follow virtue and knowledge (Simone, Sinclair) 3, but to pursue virtue and know the world (Sisson) 2.

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